الرمز في عنوان الرواية ما بعد الحداثية روايتا "سرايا بنت الغول" و"لعبة دي نيرو" أنموذجا

Abstract

The title of the novel is a social object that changes from one age to the next, and transforms and evolves with the development of literary genres, intellectual life, and social data. This is evidenced by the titles of new sensitivity novels, which were cut with the concepts of "reflection", "realism" and "directivity" On the concepts of "breach", "displacement", "condensation" and "inspiration", concepts that opened the horizon of reading on the diversity of interpretation and multiplicity. The convergence of these characteristics (transformation, mobility, multiplicity, condensation and revelation) led to the title paratext of new novel, until it opened its doors to the symbol, shared by the same characteristics. It has found the energies of the expansion of  the reading, and enrich reading, and tribute of the title a semiotic turning it in to a sign, hiding behind the surface of the language reduces, the semantic layers revealed by the semiotic study, wich we will take a method in the interpretation of the titles of the novels “ saraya bint al ghoul” by novelist “emile habibi” and “denero’s game” by novelist “rawi hajj”.